在他哥哥Vittorio的身邊，和他一樣，他的焦點是Pirandelo自己，或者更確切地說，是他的骨灰，PaoloTavianireturnstotheworksofLuigiPirandello，whichthepairadaptedin1984(Chaos)and1998(YouLaugh).InkeepingwiththeSicilianplaywright’svision，thefilmisnotatallwhatitappearstobe.Thetitlemaycomefroma1910novella，butthereisnotraceofthatbook’sjealousy-riddledplot.Instead，whicharetransportedfromahastyburialsiteinfascistRometoapermanentrestingplaceinSicily，onatrekthattakesusthroughpost-warItalyanditsfilmedmemories，在新聞短片中看到了他，但amateurfilmsandfragmentsofNeorealism.Havingburiedthemaster，Leonoraaddiothenshiftsgearfromroadmovietofilmadaptation，選擇了不同的Pirandelo故事，名字是Lastone，writtenshortlybeforehisdeathin1936.Fromthefarewellofthetitletoitsreturntothewriter’slastwords，不是要讀這部作品，而是他的兄弟們，就像2012年的金熊媽媽onceagainusescinematogivevoicetoliteratureandhistory.一樣。>>更多关于《莱奥诺拉的告别》